Mojo Nixon, ‘Elvis Is Everywhere’ Singer, Dies at 66

Dive into the electrifying life of alternative icon Mojo Nixon, known for ‘Elvis Is Everywhere,’ as we unveil the untold stories behind his legendary career, surprising moments, and the unique fusion of punk and rockabilly. Discover the extraordinary journey of a musical maverick who left an indelible mark on the industry.

Mojo Nixon
‘Elvis Is Everywhere’ singer passes away at the age of 66.

Mojo Nixon, the multifaceted figure in the alternative music scene, actor, and DJ renowned for his 1987 novelty hit “Elvis Is Everywhere,” has left an indelible mark on the industry, passing away at the age of 66. His life ended while aboard the annual Outlaw Country Cruise, a venue where he was a regular performer and co-host.

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Born Neill Kirby McMillan Jr. in North Carolina, Nixon’s musical journey began in Denver with the punk band Zebra 123, aiming to infuse the vigor of punk rock into roots music. After the dissolution of Zebra 123, he migrated to San Diego, joining forces with Country Dick Montana’s band, the Snuggle Bunnies, and subsequently finding success with multi-instrumentalist Skid Roper.

Their breakthrough came with the 1987 album “Bo-Day-Shus!!!,” featuring the iconic track “Elvis Is Everywhere,” which not only received attention on MTV but also landed Nixon a performance on “The Arsenio Hall Show.” The song’s impact transformed his audience, attracting a more diverse crowd beyond the traditional male-dominated gatherings.

Beyond his music career, Nixon delved into acting, notably appearing in the 1989 Jerry Lee Lewis biopic “Great Balls of Fire” and taking roles in unconventional projects like the 1993 live-action “Super Mario Bros.” film and a modern adaptation of “Car 54, Where Are You?”

Transitioning to radio, Mojo Nixon found a new avenue for his exuberance, landing roles in Cincinnati and San Diego before ultimately securing a position with SiriusXM. Reflecting on his career, he expressed a desire to emulate Richard Pryor, describing himself as Pryor’s “stupid cousin” in a white rockabilly band.

Despite self-perceived lack of talent, Mojo Nixon’s legacy is defined by an “enormous amount of enthusiasm” that fueled his distinctive brand of punky-rockabilly and irreverent, truth-spoken lyrics.

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