Gary Wright, ‘Dream Weaver’ and ‘Love Is Alive’ Singer, Died at 80

Gary Wright, the musician renowned for “Dream Weaver,” passed away following a battle with Parkinson’s disease and dementia.

Gary Wright dies at 80
‘Dream Weaver’ singer Gary Wright dies at 80. (Photo:-twitter)

Gary Wright, the renowned musician celebrated for his chart-toppers “Dream Weaver” and “Love Is Alive,” has passed away at the age of 80. The sad news was confirmed by Wright’s son, Dorian, although no specific cause of death has been disclosed.

Wright, a remarkably soulful vocalist and a versatile keyboard maestro, played a pivotal role as a founding member of the U.K.-based band Spooky Tooth. Throughout the late ’60s onward, he became a sought-after session musician, contributing his talents to George Harrison’s solo albums, including the iconic 1970 release “All Things Must Pass.”

Additionally, Gary Wright collaborated with Ringo Starr on his early singles and later joined Starr’s All-Starr Band. Wright’s musical prowess extended to collaborations with artists such as Nilsson, B.B. King, Tim Rose, and many others.

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Yet, it is his indelible mark on the mid-1970s music scene that will be most enduringly cherished. His hits from that era, “Dream Weaver” and “Love Is Alive,” epitomized a somewhat mystical, synthesizer-driven style of the time, akin to Steve Miller’s “Fly Like an Eagle.” These songs catapulted him into the spotlight, where he graced numerous music shows, bedecked in satin attire and effortlessly wielding a keytar.

Gary Wright Dead at 80

Hailing from the vibrant state of New Jersey, Gary Wright’s journey through life was a fascinating mix of artistry and medicine. Initially, he embarked on a path as a child actor, gracing the Broadway stage in a production of “Fanny.” However, the allure of the medical world drew him to Berlin to pursue his studies in medicine. Despite this, his passion for music remained unwavering, and he continued to perform with various bands, including one intriguingly named the New York Times.

It was during a transformative moment in 1967, while touring Europe with the band Traffic, that Wright crossed paths with Chris Blackwell, the visionary founder of Traffic’s record label, Island Records. Their connection was forged through a shared friend, the renowned Traffic and Rolling Stones producer, Jimmy Miller. Blackwell, astounded by Wright’s prodigious musical talents, convinced him to make the journey to London.

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In the bustling music scene of London, Blackwell teamed Wright up with pianist Mike Harrison and drummer Mike Kellie. With Wright as the charismatic vocalist and organist, the legendary Spooky Tooth was born.

Although Spooky Tooth’s initial albums, “It’s All About” and “Spooky Two,” produced by Jimmy Miller and co-written by Gary Wright, didn’t make waves on the charts, they sent shockwaves through the realm of musicians. The band’s members became highly sought-after session musicians, with their songs covered by numerous artists.

Notably, Three Dog Night tackled “I’ve Got Enough Heartache,” the Move frequently performed “Sunshine Help Me,” and Judas Priest delivered their rendition of “Better by You, Better Than Me.” However, the creative direction of the group took a detour with their third album, “Ceremony,” leading Wright to depart in 1970.

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Gary Wright’s journey continued as he signed with A&M Records and released a powerful solo album, “Extraction,” in 1970. Remarkably, two musicians from that album, drummer Alan White and bassist Klaus Voorman, introduced Wright to the Beatles’ orbit. This fortuitous connection happened when George Harrison, during the recording of “All Things Must Pass” with the legendary producer Phil Spector, needed more musical talent.

Voorman suggested Wright, who promptly canceled his ongoing session and raced to the iconic Abbey Road studios. This impromptu meeting marked the inception of a lifelong friendship with Harrison. Gary Wright’s influence extended to playing on all of Harrison’s solo albums, and he contributed to various related projects, including Ringo Starr’s early hits like “It Don’t Come Easy” and “Back Off Boogaloo.” Their enduring bond even saw Wright perform alongside Harrison on the American TV show, “Dick Cavett Show,” in 1971.

In the subsequent year, Wright resurrected Spooky Tooth and unveiled two albums, all the while maintaining his creative alliance with George Harrison. Their shared fascination with Eastern religions led them on a transformative journey to India in 1974.

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Following the eventual dissolution of the reformed Spooky Tooth, Gary Wright embarked on a new chapter, relocating to New York. There, he joined forces with the influential manager Dee Anthony, renowned for handling Humble Pie and soon-to-be superstar Peter Frampton. This collaboration paved the way for Wright’s signing with Warner Bros. Records.

In 1975, he released his debut album for the label, titled “The Dream Weaver.” The title track, inspired by his profound Indian expedition with Harrison, may have started as a slow-burning single, but by the following spring, it skyrocketed to become a massive hit, propelling Wright to the status of a major star. Nevertheless, it would be nearly two years before he followed up with “The Light of Smiles,” and subsequent endeavors failed to match his prior success. His final charting single came in 1981 with “Really Wanna Know You.”

In the ensuing years, Gary Wright honed his craft in the realm of instrumental and soundtrack composition. Notably, he made an unexpected cameo in the 1992 film “Wayne’s World,” treating audiences to a reimagined rendition of his iconic “Dream Weaver.” Yet, his return to more conventional rock music saw the release of a series of albums, culminating in “Connected” in 2010. In 2004, he once again revived Spooky Tooth, frequently gracing the stage both as a solo act and as part of Ringo’s All-Starr Band.

Throughout his illustrious career, Gary Wright’s compositions remained a source of inspiration for fellow artists. Chaka Khan, for instance, set fire to “Love Is Alive” with her scintillating rendition featured on her 1984 chart-topper “I Feel for You.” Additionally, his musical legacy endured through sampling, with artists ranging from Jay-Z to Tone-Loc drawing upon his timeless works.

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